The song Renata's lip syncing to while she's shot for a local "Women in Power" story was written by husband and wife duo Ashford & Simpson and recorded by Diana Ross in 1979. But Shailene Woodley's anger as Jane confronts Mary Louise was pretty great stuff, too (and satisfying to watch). Nicole Kidman and Keith Urban's Love Story, Zoë Kravitz Recreates Iconic Rolling Stone Cover, Nicole Kidman's Kids to Appear on Big Little Lies. It's also nice to see that life's been good to Jane's little family in the months since the finale. While Aretha Franklin may sing the best-known version of "(You Make Me Feel Like) A Natural Woman," the song was co-written by Carole King and Gerry Goffin, and King's version appears on her 1971 album Tapestry.

Is it too much to hope he's filing a stolen iPhone report or something? ", Elizabeth Cotten and Brenda Evans, "Shake Sugaree". Madeline walks in as the cast rehearses this on stage. Al Green's "Jesus Is Waiting," from his 1973 album Call Me, plays at the bar while Jane and Celeste are having another remarkably candid conversation about Perry, aka Jane's rapist and Celeste's late husband. "Disco Inferno" also appears on the soundtrack for Saturday Night Fever, which like Big Little Lies also features [SPOILER ALERT] someone falling to their death. Bonnie did seem a little more perked up this week, but I'm still not nuts about how longingly she's staring at those waves. Someone call Celeste's completely apathetic lawyer and ask her).

Given Indiewire's recent report that season 2 director Andrea Arnold essentially had to cede all creative control to show HBO, show creator David E. Kelley, and season one director Jean Marc Vallée, it's hard not to wonder if Arnold's version would have felt less bogged down. Renata's gone from making a hobby of her feud with Madeline to offering up her own messy brand of support, and it's gratifying character development.

Wood is a soul singer and songwriter who was most active in the 1960s; he's best known for his 1967 hits "Gimme Little Sign" and "Oogum Boogum" (you've probably heard it, even if the title isn't familiar).

This is the song Jane is listening to when she rolls up to Corey's house, confronting him about why Bonnie saw him leaving the police station.

This song plays the first time Ed is boxing outside, as his daughter and stepdaughter discuss his alienation from Madeline. Remember Trivia Night in the Big Little Lies finale?

The band's song "Teardrop" was the theme song to the medical drama House.

A lifelong musician, Cotten retired from playing professionally for 25 years to raise a family.

must have been so fun for Laura Dern to say).

Our editors handpick the products that we feature.

Renata really did get 1970s disco-soul ensemble The Trampps to play Amabella's birthday party, because there's nothing eight year olds go crazier for in 2019 than old disco (??).

The song was covered by Canadian folk-rock band Cowboy Junkies for their 1988 album The Trinity Session. She's back at it again in the premiere, cooling Madeline's freakout during Otter Bay School drop-off with the Spinner's "I'll Be Around.". Leon Bridges' ballad plays as Ed and Madeline discuss renewing their vows, and Ed shakes Madeline free of the very Monterey impulse to turn it into a big party with seafood towers. This scene, in which Ed's listening to "A Change Is Gonna Come" when his concerned-looking daughter Chloe comes up and hugs him, is nearly wordless, yet it says so much. "Deep Inside of You" plays as Chloe watches Ed boxing outside again. (Honestly, can we have at least three more Mary Louise scenes in every episode? The fact that so many Big Little Lies scenes involve a main character making dinner says everything about how good it is at capturing the minutiae of family life, making the absurd lives of these wealthy Californians surprisingly relatable (sometimes). Healthy-ish, that is; Celeste isn't 100 percent honest, and after Jane leaves she Ambien-and-alchohols her way into a one-night stand with the bartender. But if so, making out with Jane and becoming a part of her son's life would certainly be an ethical violation, if not a legal one (is it legal?

Bradley's story is an incredible one: He achieved fame toward the end of his life after being discovered by Sharon Jones & The Dap-Kings bandleader Gabriel Roth; prior to that he worked as a cook and a James Brown impersonator for decades. There's also a longtime rumor that group founder Robert Del Naja is Banksy, the anonymous yet highly successful street artist and prankster.

In season one, Zoë Kravitz's Bonnie wasn't given much to do until that fateful moment in the final episode—she was just kind of...perfect, in a way that let us see almost nothing about her inner life.

From 2011 on, Bradley toured the world and released three albums before his death from stomach cancer at 68 in 2017. Will the two of them patch things up? Madeline and Ed's marital struggles are substantive enough without introducing this secondary conflict. "Bluebird of Happiness" is from the 2003 album Spoon and Rafter. When we see Jane (Shailene Woodley) for the first time this season, she and her son Ziggy are dancing their way through the morning routine to Joan Jett's 1981 classic "Bad Reputation." The song that Renata's husband Gordon is listening to when she tears into his man-cave is "Karmacoma," off of Massive Attack's 1994 album Protection. Before all of the drama kicks off, we get to see everyone's take on a "disco" outfit and marvel at how incredible Zoe Kravitz manages to look in electric blue eye shadow. Mojave 3's "Bluebird of Happiness" plays as Mary Louise springs herself on Jane and Ziggy in their apartments' parking lot (Mary Louise can truly lurk with the best of 'em).

Neil Young with Crazy Horse, "Down By the River". Who is his brother? Patti Smith, "Everybody Wants to Rule the World". This content is imported from YouTube. (Bonnie's response: "They fake that sometimes you know...to get away with saying dumb shit.").

The story of Bonnie's complicated relationship with her mom continues to unfurl; in this week's opening scene, the two share a sweet singing moment with Bonnie's daughter Skye.

Kentucky rock band My Morning Jacket's "Victory Dance" soundtracks Bonnie's realization that Corey might not be who he seems, intercut with...what was that, exactly, between Ed and Tori Bachman? Ask questions and download or stream the entire …

Coming on the heels of Celeste's therapist asking her if "Perry was a drug" (yes, he was and still is), Jane's endearingly awkward first date with Corey is soundtracked by Roxy Music's "Love Is the Drug"—another extremely literal choice for this season's song picks.

This Timmy Thomas cover (a callback from the original playing as Mary Louise showed up to the carving party) plays over the episode 4 closing credits. Renata continues to burn with rage following her family's reversal of fortune, and despite her titanium exterior, in this ep we learn that her family's also noticed a shift in her since the night of Perry's death. Big Little Lies is back. "Baby," the song that plays during Madeline and Ed's car scene and in the closing credits of Big Little Lies episode 5, is from Dreamin' Wild, the only album released by teenage brothers Donnie and Joe Emerson in 1979. We'll never know. "School" is from Supertramp's 1974 album Crime of the Century. It's tough to blame Celeste's twins for coming to their half-brother's honor and beating up the bully who told Ziggy he was a "mistake" and that his father was a rapist. what is the song at closing credits of big little lies season 1 episode 3, Hoping to get under Renata's skin, Madeline organizes a trip to compete.

It also plays over episode 7's closing credits. While O'Connor's rendition of the mid-tempo grunge anthem is stunning, the sound mix in the brief scene turns up the creepy factor, between the crash of waves and the scratch of Jane's pencil on paper as she draws scary Perry. The lyrics to Supertramp's "School" have all the subtlety of a punch to the lip as they directly apply to the boys' situation.

We may earn commission from the links on this page.

This content is imported from {embed-name}. This was Nicole Kidman's episode, to be sure—her work as Celeste sorting through her own choices in real time, while interrogated by Denis O'Hare's piranha lawyer, was astounding.

Season 2, episode 6 featured songs from Roy Orbison and Patti Smith. One last gorgeous cover song soundtracks the final Big Little Lies musical montage, in which Ed and Madeline renew their vows, Mary Louise finally blows out of town on her broomstick in her car, Jane and Corey try getting intimate again, Celeste, the twins, and Ziggy enjoy a craft night, and the Monterey Five file into the Carmel By the Sea PD to confess the real events surrounding Perry's death (offscreen, grr).

It was a sort-of-satisfying end to a wildly uneven season—but hey, at least the music was always great. Hoping to get under Renata's skin, Madeline organizes a trip to compete... more.

The song that plays as Mary Louise literally shuts Jane out and descends into an even more toxic spiral was "It's Over" by Roy Orbison.

Timmy Thomas, "Why Can't We Live Together". Who else but Corey and the Monterey women know what happened to Jane? But then we see that Joseph's been watching Madeline and Ed flirt at the bar—is this some creepy game the two of them are playing?

And does anyone else get the feeling we, or maybe even Mary Louise, will eventually see a clip that betrays his sadistic side?

That said, they sounded great!

The song Renata's lip syncing to while she's shot for a local "Women in Power" story was written by husband and wife duo Ashford & Simpson and recorded by Diana Ross in 1979. But Shailene Woodley's anger as Jane confronts Mary Louise was pretty great stuff, too (and satisfying to watch). Nicole Kidman and Keith Urban's Love Story, Zoë Kravitz Recreates Iconic Rolling Stone Cover, Nicole Kidman's Kids to Appear on Big Little Lies. It's also nice to see that life's been good to Jane's little family in the months since the finale. While Aretha Franklin may sing the best-known version of "(You Make Me Feel Like) A Natural Woman," the song was co-written by Carole King and Gerry Goffin, and King's version appears on her 1971 album Tapestry.

Is it too much to hope he's filing a stolen iPhone report or something? ", Elizabeth Cotten and Brenda Evans, "Shake Sugaree". Madeline walks in as the cast rehearses this on stage. Al Green's "Jesus Is Waiting," from his 1973 album Call Me, plays at the bar while Jane and Celeste are having another remarkably candid conversation about Perry, aka Jane's rapist and Celeste's late husband. "Disco Inferno" also appears on the soundtrack for Saturday Night Fever, which like Big Little Lies also features [SPOILER ALERT] someone falling to their death. Bonnie did seem a little more perked up this week, but I'm still not nuts about how longingly she's staring at those waves. Someone call Celeste's completely apathetic lawyer and ask her).

Given Indiewire's recent report that season 2 director Andrea Arnold essentially had to cede all creative control to show HBO, show creator David E. Kelley, and season one director Jean Marc Vallée, it's hard not to wonder if Arnold's version would have felt less bogged down. Renata's gone from making a hobby of her feud with Madeline to offering up her own messy brand of support, and it's gratifying character development.

Wood is a soul singer and songwriter who was most active in the 1960s; he's best known for his 1967 hits "Gimme Little Sign" and "Oogum Boogum" (you've probably heard it, even if the title isn't familiar).

This is the song Jane is listening to when she rolls up to Corey's house, confronting him about why Bonnie saw him leaving the police station.

This song plays the first time Ed is boxing outside, as his daughter and stepdaughter discuss his alienation from Madeline. Remember Trivia Night in the Big Little Lies finale?

The band's song "Teardrop" was the theme song to the medical drama House.

A lifelong musician, Cotten retired from playing professionally for 25 years to raise a family.

must have been so fun for Laura Dern to say).

Our editors handpick the products that we feature.

Renata really did get 1970s disco-soul ensemble The Trampps to play Amabella's birthday party, because there's nothing eight year olds go crazier for in 2019 than old disco (??).

The song was covered by Canadian folk-rock band Cowboy Junkies for their 1988 album The Trinity Session. She's back at it again in the premiere, cooling Madeline's freakout during Otter Bay School drop-off with the Spinner's "I'll Be Around.". Leon Bridges' ballad plays as Ed and Madeline discuss renewing their vows, and Ed shakes Madeline free of the very Monterey impulse to turn it into a big party with seafood towers. This scene, in which Ed's listening to "A Change Is Gonna Come" when his concerned-looking daughter Chloe comes up and hugs him, is nearly wordless, yet it says so much. "Deep Inside of You" plays as Chloe watches Ed boxing outside again. (Honestly, can we have at least three more Mary Louise scenes in every episode? The fact that so many Big Little Lies scenes involve a main character making dinner says everything about how good it is at capturing the minutiae of family life, making the absurd lives of these wealthy Californians surprisingly relatable (sometimes). Healthy-ish, that is; Celeste isn't 100 percent honest, and after Jane leaves she Ambien-and-alchohols her way into a one-night stand with the bartender. But if so, making out with Jane and becoming a part of her son's life would certainly be an ethical violation, if not a legal one (is it legal?

Bradley's story is an incredible one: He achieved fame toward the end of his life after being discovered by Sharon Jones & The Dap-Kings bandleader Gabriel Roth; prior to that he worked as a cook and a James Brown impersonator for decades. There's also a longtime rumor that group founder Robert Del Naja is Banksy, the anonymous yet highly successful street artist and prankster.

In season one, Zoë Kravitz's Bonnie wasn't given much to do until that fateful moment in the final episode—she was just kind of...perfect, in a way that let us see almost nothing about her inner life.

From 2011 on, Bradley toured the world and released three albums before his death from stomach cancer at 68 in 2017. Will the two of them patch things up? Madeline and Ed's marital struggles are substantive enough without introducing this secondary conflict. "Bluebird of Happiness" is from the 2003 album Spoon and Rafter. When we see Jane (Shailene Woodley) for the first time this season, she and her son Ziggy are dancing their way through the morning routine to Joan Jett's 1981 classic "Bad Reputation." The song that Renata's husband Gordon is listening to when she tears into his man-cave is "Karmacoma," off of Massive Attack's 1994 album Protection. Before all of the drama kicks off, we get to see everyone's take on a "disco" outfit and marvel at how incredible Zoe Kravitz manages to look in electric blue eye shadow. Mojave 3's "Bluebird of Happiness" plays as Mary Louise springs herself on Jane and Ziggy in their apartments' parking lot (Mary Louise can truly lurk with the best of 'em).

Neil Young with Crazy Horse, "Down By the River". Who is his brother? Patti Smith, "Everybody Wants to Rule the World". This content is imported from YouTube. (Bonnie's response: "They fake that sometimes you know...to get away with saying dumb shit.").

The story of Bonnie's complicated relationship with her mom continues to unfurl; in this week's opening scene, the two share a sweet singing moment with Bonnie's daughter Skye.

Kentucky rock band My Morning Jacket's "Victory Dance" soundtracks Bonnie's realization that Corey might not be who he seems, intercut with...what was that, exactly, between Ed and Tori Bachman? Ask questions and download or stream the entire …

Coming on the heels of Celeste's therapist asking her if "Perry was a drug" (yes, he was and still is), Jane's endearingly awkward first date with Corey is soundtracked by Roxy Music's "Love Is the Drug"—another extremely literal choice for this season's song picks.

This Timmy Thomas cover (a callback from the original playing as Mary Louise showed up to the carving party) plays over the episode 4 closing credits. Renata continues to burn with rage following her family's reversal of fortune, and despite her titanium exterior, in this ep we learn that her family's also noticed a shift in her since the night of Perry's death. Big Little Lies is back. "Baby," the song that plays during Madeline and Ed's car scene and in the closing credits of Big Little Lies episode 5, is from Dreamin' Wild, the only album released by teenage brothers Donnie and Joe Emerson in 1979. We'll never know. "School" is from Supertramp's 1974 album Crime of the Century. It's tough to blame Celeste's twins for coming to their half-brother's honor and beating up the bully who told Ziggy he was a "mistake" and that his father was a rapist. what is the song at closing credits of big little lies season 1 episode 3, Hoping to get under Renata's skin, Madeline organizes a trip to compete.

It also plays over episode 7's closing credits. While O'Connor's rendition of the mid-tempo grunge anthem is stunning, the sound mix in the brief scene turns up the creepy factor, between the crash of waves and the scratch of Jane's pencil on paper as she draws scary Perry. The lyrics to Supertramp's "School" have all the subtlety of a punch to the lip as they directly apply to the boys' situation.

We may earn commission from the links on this page.

This content is imported from {embed-name}. This was Nicole Kidman's episode, to be sure—her work as Celeste sorting through her own choices in real time, while interrogated by Denis O'Hare's piranha lawyer, was astounding.

Season 2, episode 6 featured songs from Roy Orbison and Patti Smith. One last gorgeous cover song soundtracks the final Big Little Lies musical montage, in which Ed and Madeline renew their vows, Mary Louise finally blows out of town on her broomstick in her car, Jane and Corey try getting intimate again, Celeste, the twins, and Ziggy enjoy a craft night, and the Monterey Five file into the Carmel By the Sea PD to confess the real events surrounding Perry's death (offscreen, grr).

It was a sort-of-satisfying end to a wildly uneven season—but hey, at least the music was always great. Hoping to get under Renata's skin, Madeline organizes a trip to compete... more.

The song that plays as Mary Louise literally shuts Jane out and descends into an even more toxic spiral was "It's Over" by Roy Orbison.

Timmy Thomas, "Why Can't We Live Together". Who else but Corey and the Monterey women know what happened to Jane? But then we see that Joseph's been watching Madeline and Ed flirt at the bar—is this some creepy game the two of them are playing?

And does anyone else get the feeling we, or maybe even Mary Louise, will eventually see a clip that betrays his sadistic side?

That said, they sounded great!

The song Renata's lip syncing to while she's shot for a local "Women in Power" story was written by husband and wife duo Ashford & Simpson and recorded by Diana Ross in 1979. But Shailene Woodley's anger as Jane confronts Mary Louise was pretty great stuff, too (and satisfying to watch). Nicole Kidman and Keith Urban's Love Story, Zoë Kravitz Recreates Iconic Rolling Stone Cover, Nicole Kidman's Kids to Appear on Big Little Lies. It's also nice to see that life's been good to Jane's little family in the months since the finale. While Aretha Franklin may sing the best-known version of "(You Make Me Feel Like) A Natural Woman," the song was co-written by Carole King and Gerry Goffin, and King's version appears on her 1971 album Tapestry.

Is it too much to hope he's filing a stolen iPhone report or something? ", Elizabeth Cotten and Brenda Evans, "Shake Sugaree". Madeline walks in as the cast rehearses this on stage. Al Green's "Jesus Is Waiting," from his 1973 album Call Me, plays at the bar while Jane and Celeste are having another remarkably candid conversation about Perry, aka Jane's rapist and Celeste's late husband. "Disco Inferno" also appears on the soundtrack for Saturday Night Fever, which like Big Little Lies also features [SPOILER ALERT] someone falling to their death. Bonnie did seem a little more perked up this week, but I'm still not nuts about how longingly she's staring at those waves. Someone call Celeste's completely apathetic lawyer and ask her).

Given Indiewire's recent report that season 2 director Andrea Arnold essentially had to cede all creative control to show HBO, show creator David E. Kelley, and season one director Jean Marc Vallée, it's hard not to wonder if Arnold's version would have felt less bogged down. Renata's gone from making a hobby of her feud with Madeline to offering up her own messy brand of support, and it's gratifying character development.

Wood is a soul singer and songwriter who was most active in the 1960s; he's best known for his 1967 hits "Gimme Little Sign" and "Oogum Boogum" (you've probably heard it, even if the title isn't familiar).

This is the song Jane is listening to when she rolls up to Corey's house, confronting him about why Bonnie saw him leaving the police station.

This song plays the first time Ed is boxing outside, as his daughter and stepdaughter discuss his alienation from Madeline. Remember Trivia Night in the Big Little Lies finale?

The band's song "Teardrop" was the theme song to the medical drama House.

A lifelong musician, Cotten retired from playing professionally for 25 years to raise a family.

must have been so fun for Laura Dern to say).

Our editors handpick the products that we feature.

Renata really did get 1970s disco-soul ensemble The Trampps to play Amabella's birthday party, because there's nothing eight year olds go crazier for in 2019 than old disco (??).

The song was covered by Canadian folk-rock band Cowboy Junkies for their 1988 album The Trinity Session. She's back at it again in the premiere, cooling Madeline's freakout during Otter Bay School drop-off with the Spinner's "I'll Be Around.". Leon Bridges' ballad plays as Ed and Madeline discuss renewing their vows, and Ed shakes Madeline free of the very Monterey impulse to turn it into a big party with seafood towers. This scene, in which Ed's listening to "A Change Is Gonna Come" when his concerned-looking daughter Chloe comes up and hugs him, is nearly wordless, yet it says so much. "Deep Inside of You" plays as Chloe watches Ed boxing outside again. (Honestly, can we have at least three more Mary Louise scenes in every episode? The fact that so many Big Little Lies scenes involve a main character making dinner says everything about how good it is at capturing the minutiae of family life, making the absurd lives of these wealthy Californians surprisingly relatable (sometimes). Healthy-ish, that is; Celeste isn't 100 percent honest, and after Jane leaves she Ambien-and-alchohols her way into a one-night stand with the bartender. But if so, making out with Jane and becoming a part of her son's life would certainly be an ethical violation, if not a legal one (is it legal?

Bradley's story is an incredible one: He achieved fame toward the end of his life after being discovered by Sharon Jones & The Dap-Kings bandleader Gabriel Roth; prior to that he worked as a cook and a James Brown impersonator for decades. There's also a longtime rumor that group founder Robert Del Naja is Banksy, the anonymous yet highly successful street artist and prankster.

In season one, Zoë Kravitz's Bonnie wasn't given much to do until that fateful moment in the final episode—she was just kind of...perfect, in a way that let us see almost nothing about her inner life.

From 2011 on, Bradley toured the world and released three albums before his death from stomach cancer at 68 in 2017. Will the two of them patch things up? Madeline and Ed's marital struggles are substantive enough without introducing this secondary conflict. "Bluebird of Happiness" is from the 2003 album Spoon and Rafter. When we see Jane (Shailene Woodley) for the first time this season, she and her son Ziggy are dancing their way through the morning routine to Joan Jett's 1981 classic "Bad Reputation." The song that Renata's husband Gordon is listening to when she tears into his man-cave is "Karmacoma," off of Massive Attack's 1994 album Protection. Before all of the drama kicks off, we get to see everyone's take on a "disco" outfit and marvel at how incredible Zoe Kravitz manages to look in electric blue eye shadow. Mojave 3's "Bluebird of Happiness" plays as Mary Louise springs herself on Jane and Ziggy in their apartments' parking lot (Mary Louise can truly lurk with the best of 'em).

Neil Young with Crazy Horse, "Down By the River". Who is his brother? Patti Smith, "Everybody Wants to Rule the World". This content is imported from YouTube. (Bonnie's response: "They fake that sometimes you know...to get away with saying dumb shit.").

The story of Bonnie's complicated relationship with her mom continues to unfurl; in this week's opening scene, the two share a sweet singing moment with Bonnie's daughter Skye.

Kentucky rock band My Morning Jacket's "Victory Dance" soundtracks Bonnie's realization that Corey might not be who he seems, intercut with...what was that, exactly, between Ed and Tori Bachman? Ask questions and download or stream the entire …

Coming on the heels of Celeste's therapist asking her if "Perry was a drug" (yes, he was and still is), Jane's endearingly awkward first date with Corey is soundtracked by Roxy Music's "Love Is the Drug"—another extremely literal choice for this season's song picks.

This Timmy Thomas cover (a callback from the original playing as Mary Louise showed up to the carving party) plays over the episode 4 closing credits. Renata continues to burn with rage following her family's reversal of fortune, and despite her titanium exterior, in this ep we learn that her family's also noticed a shift in her since the night of Perry's death. Big Little Lies is back. "Baby," the song that plays during Madeline and Ed's car scene and in the closing credits of Big Little Lies episode 5, is from Dreamin' Wild, the only album released by teenage brothers Donnie and Joe Emerson in 1979. We'll never know. "School" is from Supertramp's 1974 album Crime of the Century. It's tough to blame Celeste's twins for coming to their half-brother's honor and beating up the bully who told Ziggy he was a "mistake" and that his father was a rapist. what is the song at closing credits of big little lies season 1 episode 3, Hoping to get under Renata's skin, Madeline organizes a trip to compete.

It also plays over episode 7's closing credits. While O'Connor's rendition of the mid-tempo grunge anthem is stunning, the sound mix in the brief scene turns up the creepy factor, between the crash of waves and the scratch of Jane's pencil on paper as she draws scary Perry. The lyrics to Supertramp's "School" have all the subtlety of a punch to the lip as they directly apply to the boys' situation.

We may earn commission from the links on this page.

This content is imported from {embed-name}. This was Nicole Kidman's episode, to be sure—her work as Celeste sorting through her own choices in real time, while interrogated by Denis O'Hare's piranha lawyer, was astounding.

Season 2, episode 6 featured songs from Roy Orbison and Patti Smith. One last gorgeous cover song soundtracks the final Big Little Lies musical montage, in which Ed and Madeline renew their vows, Mary Louise finally blows out of town on her broomstick in her car, Jane and Corey try getting intimate again, Celeste, the twins, and Ziggy enjoy a craft night, and the Monterey Five file into the Carmel By the Sea PD to confess the real events surrounding Perry's death (offscreen, grr).

It was a sort-of-satisfying end to a wildly uneven season—but hey, at least the music was always great. Hoping to get under Renata's skin, Madeline organizes a trip to compete... more.

The song that plays as Mary Louise literally shuts Jane out and descends into an even more toxic spiral was "It's Over" by Roy Orbison.

Timmy Thomas, "Why Can't We Live Together". Who else but Corey and the Monterey women know what happened to Jane? But then we see that Joseph's been watching Madeline and Ed flirt at the bar—is this some creepy game the two of them are playing?

And does anyone else get the feeling we, or maybe even Mary Louise, will eventually see a clip that betrays his sadistic side?

That said, they sounded great!

שעות פעילות: א-ה: 8:00-17:00 ו: 8:00-14:00

Menu

Menu