It’s a step above Fuji’s consumer Superia line, as well as a direct competitor to Kodak’s Portra 400 emulsion. I’m new to the X-T2 (and Fuji) and I’m wondering how you expose to get these results. 0000022369 00000 n I have never tried this film before. Thanks Andrii! Copyright © 2014-2020, F Stop Cameras LLC, All Rights Reserved. Skin tone quirks aside, Fuji Pro 400H is a malleable, versatile, and reliable film fit for both professional and casual usage. 0000009387 00000 n
And those Fuji greens…. It delivers a beautiful, yet accurate look that flirts with digital cleanliness while offering that signature tonal gradation that makes film the great medium it is. Suited especially to wedding, portrait and fashion photography where accurate rendition of the subject is essential. trailer << /Size 84 /Info 42 0 R /Root 45 0 R /Prev 443561 /ID[<012200a264f331492112be78750dc0fc>] >> startxref 0 %%EOF 45 0 obj << /Type /Catalog /Pages 41 0 R /Metadata 43 0 R /PageLabels 40 0 R /Outlines 38 0 R /PageLayout /SinglePage /OpenAction 46 0 R >> endobj 46 0 obj << /S /GoTo /D [ 47 0 R /FitH -32768 ] >> endobj 82 0 obj << /S 213 /O 310 /L 326 /Filter /FlateDecode /Length 83 0 R >> stream Lagerung des Films die Farben des Fuji Pro 400H variieren können. https://fujixweekly.com/2018/05/30/my-fujifilm-x100f-kodak-portra-400-film-simulation-recipe/. The color balance of Pro 400H is remarkably neutral across the board with an added depth to blue and green. Flesh tones look plenty warm to me. I found that DR200 is a good setting in many circumstances, but in high-contrast scenes, DR400 might be a better option. I typically shoot in aperture priority mode (shutter and ISO set to A), using matrix metering, although sometimes I use spot metering. One more thing. I have most of them memorized, but I’ve had to look a couple of them up while out shooting before. fujicolor pro 400h Professional-quality, high-speed, daylight-type, fine-grain, color negative film, incorporating Fujifilm's proprietary 4th color layer.
Do you have a standard set you always keep on camera? I was able to try it out and I liked it! I debated on whether +2 or +3 is the best setting for shadows. This website uses cookies. By purchasing anything using these links, Casual Photophile may receive a small commission at no additional charge to you. It's a popular print film that has survived the digital era, as Fujifilm continues to manufacture Pro 400H to this very day, while many other films have seen the chopping block. If you would use this recipe on your x100V would you leave your Chrome effects (both of em) to off? The wide exposure latitude afforded by Fuji Pro 400H makes this sharpness and resolution available in almost any lighting situation. Anytime that you are attempting to recreate the look of a certain film with a digital camera, there are variables that make it difficult. I never liked this film for a long time, due to a nasty green cast that all my scans had. 0000007945 00000 n Thank you for sharing your knowledge!
I settled on +4, which I think is the most correct for simulating slightly overexposed Pro 400H. Entwickelt wird der Fujifilm Pro 400H im C-41-Prozess. I could get the shadow color cast more accurate but at the expense of the highlight color, or I could get the highlight color cast more accurate but at the expense of the shadow color. I think these settings are going to be your best bet for achieving a look straight out of camera that mimics the film’s aesthetic. This was done late afternoon in warm light. Einer Erhebung entstammt dieses Gefühl natürlich nicht . 0000021300 00000 n With Pro 400H, there is an additional challenge: the film can look much different depending on the light and exposure. Yes, some labs use Kodak chemistry, others use Fuji-Hunt or Agfa(?). Maybe that will come to other X-Trans IV cameras via firmware, perhaps. Given your growing list of film simulation presets, how do use these in the field? I really am. 0000007966 00000 n Fujifilm sure do know how to respond to the wishes of their customers! Add that to the different things that happen when Pro 400H is over or underexposed and to the inherent subjectivity of editing color negative film and results can look slightly different from user to user. Post your favourite shots taken with this film, and discuss nerdy things like emulsion, development and exposure in the discussion forum. Does anyone have any information/opinions regarding the processing of this film? He has an affinity for all things analog. Copyright 2019 – All Rights Reserved | Impressum | Datenschutzerklärung. E.g. I will take a test shot and look to see if the exposure compensation is correct or needs to be moved up or down. On this recipe I would leave them off. One can hope. I found the results disappointing, no big leap forward with respect to a consumer grade film, and it does register a bit cool. My X100V can save white balance shifts but my X-T30 cannot. Jeder Fotograf hat scheinbar seinen Liebling und ich bin oft von den Portraitaufnahmen, die beide Filme produzieren absolut begeistert. Fujifilm Fujicolor PRO 400H Farbnegativ Film, ISO 400, 1 Stück... Mehr. Could you please explain? I tried many different things to get the aesthetics as close as I could. They are both still in my freezer and I regret not running them through a camera before we slipped back into our grey Ohio winter weather. Yes, Fuji Pro400H can do the bright wedding look and the hip instagram film lifestyle shot, but it can also serve as a wonderful landscape film, can work as a great street photography tool owing to its stellar exposure latitude and detail rendition, and can single handedly improve the performance of even the dinkiest point-and-shoot camera. I’m loving Fujicolor Pro 400H Overexposed, it looks great no matter how much I over or under expose the shot. White Balance: Auto, +2 Red & +1 Blue Skin tones are particularly interesting on Fuji Pro 400H. I suspect it could be capable of even more if only we’d look past our own clunky notions of art and aesthetics. Palette makes me want to cry and take opiates to caml down. Ha. I used this film once, a year or so ago. 5 (5%) 4,6 Sterne. Eine Alternative zum Pro 400H ist der Kodak Portra 400. Diese Website benutzt Cookies. Jeder Fotograf hat scheinbar seinen Liebling und ich bin oft von den Portraitaufnahmen, die beide Filme produzieren absolut begeistert. How was it shot? 0000001970 00000 n The CineStill 800T recipe is a good option for night scenes, but you can also get some interesting results in daylight.
0000009334 00000 n I used DR200 for all of the pictures in this article, but some might have benefited from the higher dynamic range setting. I’ve tried in the past to create a Pro 400H recipe for Fujifilm X cameras, but I was never happy with the results. I hope this helps! It has a more saturation than Portra, but is a bit grainier. I have an X-T20 and I would like to get results similar to Portra 160 or Portra 400 Reading through these recipes before my XT-4 arrived I was not looking forward to having to adjust WB every time I changed simulations; however I was relieved to discover that your recipes can now be be 100% locked in via custom presets. I’ve seen a few people use some recipes in conditions that I probably wouldn’t have used them, and the results were great.
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