If you write something like that, they won’t play it.”, I said, “I don’t care if they don’t play it, I want this word in the song.”, He said, “Jer, leave it alone. [4] From the 1970s onward, the song has appeared, or is heard, as a part of the soundtrack in numerous films, most notably in blockbusters such as Grease, Forrest Gump, Lilo & Stitch, A Few Good Men, and Indiana Jones and the Kingdom of the Crystal Skull. A song that shakes, rattles and rolls like a one eyed cat peeping in a seafood store. And he said, “Mama, don’t you want a hit?” And she said yes. song: "Hound Dog", And that groove that he plays is so hip.

As the songwriters related themselves during a 1992 interview for this magazine, it was written before rock & roll mattered; it was a blues, the genre that they loved the most, and which brought them together. The true story of the song, like the story of the songwriters’ momentous first meeting, has rarely been told accurately, as certain signifcant nuances got confused. And I felt “you ain’t nothin’ but a hound dog” was a dummy lyric. He wrote by banging on his car, a grey-green Plymouth. STOLLER: She was singing to a man. That’s what it was about.So were you unhappy with the lyric as Elvis did it? Published September 7, 2020. Layard Bell.LEIBER: Bell. He was a serious jazz lover and a blues enthusiast. “Hound Dog,” written by the legendary songwriting duo of Leiber & Stoller, is one of the most famous records in the history of rock and roll as recorded by Elvis Presley. But he liked the lick, he liked the sound. You told me you was high class, but I can see through that, you told me you was high class, but I can see through that, and Daddy, I know –“, STOLLER: “—you ain’t no real cool cat, you ain’t nothing but a hound dog.” Freddie Bell’s is, “You ain’t nothing but a hound dog, cryin’ all the time –“, LEIBER & STOLLER: “—you ain’t never caught a rabbit and you ain’t no friend of mine.”. Once Leiber & Stoller recognized their shared passion for blues, they started writing songs together, and were good at it. Milton Bearle, Ed Sullivan and Steve Allen knew what time it was – and they wanted to be riding whatever wave this doe-eyed boy from Memphis was on. STOLLER: And he went, “Okay,” and he went out there and played the drums. All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. Other early versions illustrate the differences among blues, country, and rock and roll in the mid-1950s. It is a song with intended feeling.

If you write something like that, they won’t play it.”, I said, “I don’t care if they don’t play it, I want this word in the song.”, He said, “Jer, leave it alone. [4] From the 1970s onward, the song has appeared, or is heard, as a part of the soundtrack in numerous films, most notably in blockbusters such as Grease, Forrest Gump, Lilo & Stitch, A Few Good Men, and Indiana Jones and the Kingdom of the Crystal Skull. A song that shakes, rattles and rolls like a one eyed cat peeping in a seafood store. And he said, “Mama, don’t you want a hit?” And she said yes. song: "Hound Dog", And that groove that he plays is so hip.

As the songwriters related themselves during a 1992 interview for this magazine, it was written before rock & roll mattered; it was a blues, the genre that they loved the most, and which brought them together. The true story of the song, like the story of the songwriters’ momentous first meeting, has rarely been told accurately, as certain signifcant nuances got confused. And I felt “you ain’t nothin’ but a hound dog” was a dummy lyric. He wrote by banging on his car, a grey-green Plymouth. STOLLER: She was singing to a man. That’s what it was about.So were you unhappy with the lyric as Elvis did it? Published September 7, 2020. Layard Bell.LEIBER: Bell. He was a serious jazz lover and a blues enthusiast. “Hound Dog,” written by the legendary songwriting duo of Leiber & Stoller, is one of the most famous records in the history of rock and roll as recorded by Elvis Presley. But he liked the lick, he liked the sound. You told me you was high class, but I can see through that, you told me you was high class, but I can see through that, and Daddy, I know –“, STOLLER: “—you ain’t no real cool cat, you ain’t nothing but a hound dog.” Freddie Bell’s is, “You ain’t nothing but a hound dog, cryin’ all the time –“, LEIBER & STOLLER: “—you ain’t never caught a rabbit and you ain’t no friend of mine.”. Once Leiber & Stoller recognized their shared passion for blues, they started writing songs together, and were good at it. Milton Bearle, Ed Sullivan and Steve Allen knew what time it was – and they wanted to be riding whatever wave this doe-eyed boy from Memphis was on. STOLLER: And he went, “Okay,” and he went out there and played the drums. All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. Other early versions illustrate the differences among blues, country, and rock and roll in the mid-1950s. It is a song with intended feeling.

If you write something like that, they won’t play it.”, I said, “I don’t care if they don’t play it, I want this word in the song.”, He said, “Jer, leave it alone. [4] From the 1970s onward, the song has appeared, or is heard, as a part of the soundtrack in numerous films, most notably in blockbusters such as Grease, Forrest Gump, Lilo & Stitch, A Few Good Men, and Indiana Jones and the Kingdom of the Crystal Skull. A song that shakes, rattles and rolls like a one eyed cat peeping in a seafood store. And he said, “Mama, don’t you want a hit?” And she said yes. song: "Hound Dog", And that groove that he plays is so hip.

As the songwriters related themselves during a 1992 interview for this magazine, it was written before rock & roll mattered; it was a blues, the genre that they loved the most, and which brought them together. The true story of the song, like the story of the songwriters’ momentous first meeting, has rarely been told accurately, as certain signifcant nuances got confused. And I felt “you ain’t nothin’ but a hound dog” was a dummy lyric. He wrote by banging on his car, a grey-green Plymouth. STOLLER: She was singing to a man. That’s what it was about.So were you unhappy with the lyric as Elvis did it? Published September 7, 2020. Layard Bell.LEIBER: Bell. He was a serious jazz lover and a blues enthusiast. “Hound Dog,” written by the legendary songwriting duo of Leiber & Stoller, is one of the most famous records in the history of rock and roll as recorded by Elvis Presley. But he liked the lick, he liked the sound. You told me you was high class, but I can see through that, you told me you was high class, but I can see through that, and Daddy, I know –“, STOLLER: “—you ain’t no real cool cat, you ain’t nothing but a hound dog.” Freddie Bell’s is, “You ain’t nothing but a hound dog, cryin’ all the time –“, LEIBER & STOLLER: “—you ain’t never caught a rabbit and you ain’t no friend of mine.”. Once Leiber & Stoller recognized their shared passion for blues, they started writing songs together, and were good at it. Milton Bearle, Ed Sullivan and Steve Allen knew what time it was – and they wanted to be riding whatever wave this doe-eyed boy from Memphis was on. STOLLER: And he went, “Okay,” and he went out there and played the drums. All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. Other early versions illustrate the differences among blues, country, and rock and roll in the mid-1950s. It is a song with intended feeling.

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